November is here. You can tell by the weather, the heavy heavy rainfalls, the wind, the dark and gloomy days. Indoors never felt so good.
Turning inward means that my art work is continuing to develop in an interesting way, so I'm happy about that. But in other art related news, I'm disappointed with some news, as are many of my fellow printmakers who submitted work last spring for jurying to the Krakow Print Triennial. I found out second-hand from an artist who was was in Krakow for her solo exhibition there (she was the Grand Prix winner in 2003) that about 350 artists were selected from over 2500 applicants. Only three Canadians, unknown to us, were accepted and none from the US, a rather unusual result. Rejection is par for the course but our biggest complaint is that there has been no communication from the triennial organizers about whose work has been accepted, which is unusual for an organization with an excellent reputation in the past. Funding issues, perhaps? Anyway, I had another look at the Triennial website and their list of winners, noting that one of the prize winners is a Canadian, one Cécile Boucher.
The dark, cool and damp evenings make us non-TV watchers a little more inclined to cuddle up on the sofa and watch a good movie. We'd been to the library a few days ago and scoured through their collection for some good selections so last night we watched one choice, The Constant Gardener. We enjoyed the love story, the exciting drama of attempts to expose the corrruption of the pharmaceutical companies in Africa, and most of all the film's beautiful and horrible scenes of northern Kenya and its very colourful and musical people. Here's a Quicktime trailer.
Now I'm awaiting the family's arrival any minute for a visit and dinner, another pleasant diversion away from the miserable weather beyond the rain-washed windows.