January blues

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But when the melancholy fit shall fall
Sudden from heaven like a weeping cloud,
That fosters the droop-headed flowers all,
And hides the green hill in an April shroud;
Then glut thy sorrow on a morning rose,
Or on the rainbow of the salt sand-wave,
Or on the wealth of globed peonies.

– John Keats: “Ode on Melancholy”

It’s foggy and raining heavily, the snow’s washed away, and I nurse my January blues with many cups of tea and reading by my little indoor garden. Soon, soon, I wish for energy and the desire to get back to my artmaking.

UPDATE: While I’m cosy at home, I don’t realize what’s happening beyond. The evening TV news has reported that this monsoon on top of the recent snow is creating a lot of flooding in many areas of the city and around southwestern BC. Our backyard like elsewhere is a swamp because the ground is still frozen and can’t absorb the melted snow along with the huge amount of rain coming down, with lots more in the forecast for several days. Records are breaking again. In the meantime the Maritimes are having a blizzard. Enough reasons for January blues!

Winter Lights

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A 43-year Vancouver tradition, the Carol Ships travel the waters around the city in December, with different destinations each night. People gather in waterfront parks and house parties at homes with waterviews to enjoy these seasonal displays. We vividly remember our very first experience of them over 30 years ago soon after we moved to the Vancouver area from the very cold north. It seemed magical and unique to us to see these ships and boats with coloured lights reflecting in the water and carols ringing out as we stood on a bonfire-lit beach. There was nothing like this in the wintry climates where we grew up and lived the early years of adulthood, though we still miss the snow, a rare happening here on the west coast. (We have to go up the mountains for that.)

(In all honesty, though the number of nights the Carol Ships are out has grown over the years, the area that we live in has seen a severe dwindling of the number of boats in the “parade” – pity. Maybe the individual boat owners are getting tired of being out there too many nights at some personal cost.)

Another fun tradition for families with young children is Stanley Park’s miniature Christmas train, running from the children’s farm through the fairy lit woods and back. We also enjoy the very beautiful light displays and the choirs in gardens such as the Park & Tilford and VanDusen Botanical Gardens.

Weekend

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We were away this weekend on a pleasant little trip. Some family stuff was happening, so we took a drive up to the Kamloops area of BC. We enjoyed the scenic Coquihalla Highway route through mountains that were already partly covered in snow at the higher elevations. Our trip took about four hours to the eastern area beyond Kamloops.

We stayed in a lovely bed & breakfast in the village of Chase on Little Shuswap Lake, run by a very friendly recently immigrated German family. The best Greek food ever was had in a big new Greek restaurant in Kamloops (sorry I did not note down the name). Oh, and we picked loads of delicious McIntosh apples off a tree at the family members’ property, so will have to cut and freeze some for pies and apple crisps!

It is always good to get away, and it is great to be home again! The only unpleasant thing was to find 68 comment spam when I went to check my emails and comments! Have you noticed that I recently upgraded to Movable Type 3.11? This has comment approval by me, so those spam comments do not make it directly into the blog, and a new MT anti-spam plug-in just got installed to allow me to easily add the spammers to a blacklist and delete in one step! Begone, scum!

Halloweeeeen Apples!

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That’s what we, in our childhood, called out as we rang neighbours’ doorbells, dressed in inexpensive home-made costumes. Today it’s “Trick or Treat” and often some pretty sophisticated costumes that Mom bought! Treats most desired by the little goblins are mini chocolate bars and candies – no more candy apples or homemade goodies after some bad tricks with hidden razors. Lots of carved and candlelit jack o’ lantern pumpkins line every doorway, then lie smashed on roads the next morning after the older goblins have made their rounds.

This type of Hallowe’en is predominantly a North American phenomenon, though originating in the British Isles. Immigrant parents reluctantly allowed their children to go join in this strange new form of “begging”.

Increasingly commercialized, Hallowe’en now ranks third in consumer spending in Canada, behind Christmas and the back-to-school season. And this is ironic…according to the Telegraph:

“thanks in part to a vigorous drive by supermarkets to import America’s Hallowe’en traditions and rituals to Britain, it has become the second biggest seasonal event after Christmas.”

I guess I’d qualify as a Scrooge for only buying two pumpkins and about $25 worth of the mini chocolate bars for the neighbourhood kids (and the at-home “kids”).

So, if you are out trick-or-treating tonight with your young ones or attending various fireworks (apparently a Canadian tradition!) or parties, have yourself a fun and very SAFE Halloween!

Links: some history of Halloween
Stanley Park’s Hallowe’en Ghost Train, a popular Vancouver family event.

Thanks to Erika for the skeleton drawing!

Update Nov.1.04 (All Saints’ Day): Thanks to Mark at Wood s Lot for finding this fascinating site about Halloween, Samhain, Day of the Dead, All Souls, All Saints at Mythology’s Myth*inglinks

Vancouver’s Art Patrons

In today’s Straight, Robin Laurence writes about Vancouver’s “Patron Saints” of the arts: painter Joe Plaskett and real-estate developer Michael Audain. Along with the VIVA (Vancouver Institute for the Visual Arts) awards funded by the Jack and Doris Shadbolt Foundation, now “emerging, mid-career, and senior artists all benefit from cash awards created by extraordinary British Columbians. It’s the best of giving in the visual arts.”

The stories about these new patrons are interesting and inspiring and set an example of giving to the arts and culture in BC.

You may be interested in also reading about the late Shadbolts, who contributed greatly to BC’s art scene: painter Jack Shadbolt, and curator Doris Shadbolt.

And, the Lt. Governor’s speech at the 2004 VIVA Awards and Audain Prize presentation.

CARFAC’s fall newsletter

I have written before about CARFAC (Canadian Artists Representation/Le Front des Artistes Canadiens) and how it supports Canadian artists.

Their latest Summer/Fall 2004 newsletter has a very thought provoking article written by Pat Durr, the National Representative. She makes some comparisons between the support systems for artists in the US and Canada. I would be extremely interested in receiving comments on this from my US readers, as well as Canadians and others.

From the National Spokesperson

As many of you may know, I have spent quite a bit of time travelling during the past year – some for pleasure, some for duty, some for art. Just recently, I have returned from the United States. Artists there have found themselves under siege in various ways both economically and politically. For example, look at the recent arrest and indictment of Steve Kurtz**, a member of the Critical Art Ensemble, who was arrested under the Patriot Act on suspicion of terrorism, when police saw his home lab where he was developing an art piece for exhibition at the Massachusetts Museum of Contemporary Art this year.

Through the artists I have met in the United States, I have been struck by how very similar the economic climate for many of them is and yet how different the solutions are. American artists who are not famous are often even less well off than Canadian ones. Artists there who exhibit in artist-run spaces or even in well recognized public galleries do not automatically receive an exhibition fee. They may individually negotiate some sort of compensation, but there is nothing in the law that supports their right to be paid for the use of their work. Sometimes they trade the installation and the exhibition of their artwork for a bed.

There is no Canada Council which funds artist-run spaces and artist-run organizations such as CARFAC. Artist-run spaces tend to have short lives, popping up for awhile, supported by ingenuity and the sweat of the brows of a few dedicated individuals, and then disappearing. Public galleries rarely have artists on their Boards and often do not have any interest in serving their artist community. There are many other differences, both good and bad, just as there are many similarities, which I do not have the space here to explore. The point I want to make is that artists in Canada have developed some very important vehicles for the support of the visual arts, among them CARFAC, strong, longlived artist-run spaces, and the Canada Council. These are perilous times; we cannot afford to take our successes for granted. Everyone needs to take an interest and to be sure that our institutions can continue to work for us and the betterment of the arts community.

Continue reading on page 13 of the Calendar (.pdf).
(** Also read “No Urban Myth for Kurtz” on page 6. Carfac urges support and to consider implications for Canadian artists under Canada’s Anti-terrorism Act.)

Printmaking and Granville Island

It’s now raining hard in Vancouver at long last after a hot dry summer and instead of outside work, I suddenly have some free time to blog.

Malaspina Printmakers is the subject of a review: Freedom Of The Press by Robin Laurence in the Straight. Laurence views the summer group show in the newly expanded gallery and also the printshop facilities. There are some interesting comments about the closure of the printmaking program at University of Victoria, but the rumoured closing at Emily Carr Institute is fortunately only rumour.

As you will have read in the review, Malaspina is an artist run printmakers’ workshop with a gallery space. Dundarave Print Workshop is another one, and both are located on Granville Island near downtown Vancouver. The “island” is a lively place with a colourful public market, numerous art and craft studios and shops, theatres, restaurants and the art school, Emily Carr Institute. Granville Island is a very popular tourist destination and is a wonderful example of how the arts, business and tourism can thrive together.

We took our European visitors there recently and they were quite enthusiastic also about the colourful and funky houseboats behind the art school, sailboats coming and going, the crowds feeding the seagulls while listening to buskers outside the market and eating takeout food from the variety of stands, all with the city’s sleek highrise condominiums in the background across the water glimmering in the sunshine.

Happy Canada Day

It is Canada’s 137th birthday! Here’s a little background history and how Canada got its name.

Many communities have celebrations like parades, free concerts and museums entries, street activities, lots of multicultural performances, and fireworks. Look at capital city Ottawa’s program of events!

and just in from CBC

Canadian culture

‘if’ backtracked to my post of yesterday on Art in Canada & CBC, so I made a first visit and browse.

A recent and particularly timely entry caught my eye, Wyman speaks linked to an interesting and currently very important site Our Public Airwaves. There is lots of reading here, and of course the article on Max Wyman’s book, The Defiant Imagination which “makes an impassioned case for why culture matters and why it matters in particular for Canadians”. A must-read!!

Max Wyman is well-known to Vancouverites as a critic, writer and supporter of Canadian dance, music, drama and literature. I haven’t heard much about his views on visual arts, and not too much about it is in the quoted texts in this article. But his views on the need for government to protect and support culture including multiculturalism come strong and clear, a message that our political leaders need to hear. Support of the CBC is one part of this.

This book is built on a belief in the paramount importance of creative activity in the fulfilled human life, a conviction that access to creative expression and the shared creative heritage should be universal, and a commitment to creative excellence. Central to the entire exercise is the unyielding idea that, in a world where profit and the bottom line assume a dangerous primacy, society has the responsibility to provide long-term support for culture in all its multiplicity: the making of it, the enjoyment of it and the sharing of it. Since uncertainty underpins all creative enterprise, someone must be prepared to underwrite the possibility of failure. That someone must be society itself, in large part through the funding processes of government.

To properly protect our culture, it is excellence in creativity that should be supported, not nationalism. Take care of the creators, and the culture takes care of itself.

As I mentioned in yesterday’s blog, this subject ties in with Chandrasutra’s discussions* on the importance of Canadian culture and how CBC is part of it.

Again, if you are Canadian, please sign the support a stronger CBC campaign.

*expired link removed

Art in Canada & CBC

Surprise! Google News Canada had linked for a short while, two articles about Art in Canada.

Art Matters, by Matthew Teitelbaum, director and CEO of The Art Gallery of Ontario, in the Toronto Star makes several interesting and valid points particularly about art education and the role of galleries: Artists create, not to communicate with themselves, but to communicate with others and, even then, the artist is not fully in control of all the meanings. Good art has multiple meanings and a great depth of meaning. The viewer discovers something new with each encounter. The art gallery must encourage this experience.

According to the Canada Council for the Arts, the visual arts is a billion-dollar business that affects the lives of 7.5 million Canadians. Yet the platforms of our federal political candidates are largely silent on arts and culture.

(For my non-Canadian readers – we have a national election campaign underway.)

Mirrors of the soul by MICHAEL VALPY in the Globe & Mail explores the spiritual resonance of paintings by Turner, Whistler and Monet currently showing in the Art Gallery of Ontario.

UPDATE: I almost forgot, there is an important support a stronger CBC campaign going on. Read all about it on chandrasutra’s blog.*. If you are a Canadian concerned about our culture, please sign up!

*expired link removed