World Congress of Finno-Ugric Peoples

“Tallinn, the capital of Estonia, will host the Fourth World Congress of Finno-Ugric Peoples from 15-19 August 2004. The theme of the congress is “The Youth Is Our Future” and it will bring together approximately seven hundred delegates, observers and guests from Russia, Scandinavia, and Central and Eastern Europe. The Congress aims at developing and protecting the ethnic identities, cultures and languages of the Finno-Ugric peoples; promoting the co-operation between Finno-Ugric peoples; discussing and finding solutions to their most urgent problems; and promoting the implementation of their right to self-determination in accordance with the norms and principles of the international law.”

This Congress is convened every fourth year. Previously it was held in 1992 in Syktyvkar (Komi Republic, Russia), in 1996 in Budapest (Hungary), and in 2000 in Helsinki (Finland). This event is currently underway with Finnish President Ms. Tarja Halonen attending along with other heads of states, guests from UNESCO, ECOSOC, the European Council, the Nordic Council of Ministers and so on.

This is interesting news for my Finnish, Estonian and possibly Russian readers, and anyone interested in linguistics and ethnology, and for me in that I did not know such important and extensive meetings have been and are taking place.

Some related links:

  • Official site of the IV World Congress of Finno-Ugric Peoples and the association pages.
  • A chart of Uralic languages showing the numbers of speakers, note how many are endangered.
  • More about Finno-Ugric people especially of Russia.
  • My archived articles under the category of ethnology, such as this on preserving languages and about Fenno-Ugrian people.

    UPDATE: Current news on this event, such as the opening address by Prof. Janos Pusztay
    UPDATE Sept.13.04: Speech by President of Finland Tarja Halonen – This is excellent – well worth reading!

  • Art Appreciation

    An interesting discussion is underway over at Cassandra Pages about art appreciation. Yesterday, (August 11th) Beth wrote about arts support in Canada referring to some past comments I had made. Please read the new comments to that, and then go to today’s August 12th post. Joerg has already responded thoughtfully regarding art appreciation in Germany and the US.
    Beth and I would be very interested in your views!

    Vancouver’s manhole cover art

    I read about the results of this unusual public art competition twice in Zeke’s Gallery, a Montreal art blog! He refers to articles in the Globe & Mail and the National Post.

    So where’s Vancouver’s own online coverage of arts news that made it to national news? Okay, it was in the Vancouver Sun newspaper, but the online version requires a subscription.

    By the way, congratulations to an artist I know, Jen Weih, one of the two prize winners of this design competition.

    more cows!

    Another sighting of public art fauna has been made by Charles Downey of Ionarts – in Manchester, where they have cows! He’s referred to my post on public art fauna and how that trend has “befouled” cities around the world.
    (Thank you, Charles )

    More Public Art Fauna

    More public art fauna, right here in Vancouver and Victoria!

    A few days ago I wrote about Public ART? in some American cities. I had forgotten about our Orcas in the City until I read Pete McMartin’s article “Whale-watching tour of downtown” in Saturday’s Vancouver Sun (unfortunately subscription only).

    McMartin wrote: Zurich pioneered the concept of fauna as public sculpture, populating the city with a herd of fibreglass dairy cows – each of them decorated by local artists – to be auctioned off later for charity. Chicago did bulls. Toronto did moose; Saskatoon, pigs. Miami did flamingos, eight-foot-tall flamingos. Dublin…auctioned off one bovine clad in cut crystal for a record $233,000 US.

    B.C. Lions society president Stephen Miller saw Rochester, N.Y.’s horses which inspired the idea for Vancouver and Victoria. According to the Orcas in the City website, the Orca was chosen to embody the West Coast and to highlight the fact that British Columbia is one of the best places in the world to view killer whales.

    Have a look at the photos in the Orca Gallery. My personal favourite is ‘Orcasmic Voyage’ by Arnt Arntzen because it is the most unique and least decorative, using industrial materials as well as a head of a real Mayan figurine inside the periscope (this fact from McMartin’s article).

    The project certainly has a lot of business sponsors and the cities of Vancouver and Victoria are listed as supporting sponsors, so some public money here as well, to support a worthwhile charity. Yet, I still feel a lot of these projects are more decorative than artistic, with a few exceptions like Arntzen’s. Perhaps it is harder to sell art?

    Update: Visit today’s entry in Anna Conti’s Journal for a further discussion of “Is it Art?” She’s made up for my laziness by adding the links to the many fauna mentioned above, plus talks about San Francisco’s public art project Hearts!

    Update July 19.04: Libby from artblog saw SF’s hearts and is not a fan of these objects which add up to just more visual clutter.

    Public ART?

    Pandas? Sheep? Pigs? Cows? What is going on?

    Over the past few weeks I kept reading about pandas in Washington, then ever so humble* had a post about Sheeptacular Pittsfield in Massachusetts.

    Yesterday dangerous chunky* referred to departing Seattle art critic Emily Hall’s article The Road of Good Intentions is Paved with Painted Pigs, about the state of art in Seattle, including their Pigs on Parade. Hall has now moved on to New York where they have the cow parade!

    What they all have in common is that they are public art projects. But are they art, I wondered.

    To help us answer that question, here’s an article by Washington Post art critic Blake Gopnik, Getting Cute With Art, As the District Trots Out ‘Pandamania,’ Is Something With Bite Too Much to Ask For? Here are some excerpts:

    The panda project is described in all the city’s PR as an ‘exciting public art project’… to promote ‘excellence in the arts’ so that the general public can ‘gain a deeper appreciation for the arts.’ And the Pandamania ‘call to artists’ says that the ‘selection committee is looking for artwork that is dynamic and invites innovation.’

    When an art critic hears words like that paired with painted pandas, it’s like waving a red flag at a bull in a china gewgaw shop. These projects eat up precious resources… that could be better spent on any number of other serious, ambitious art programs.

    Washington has some of the most important museums in the world… and they attract art lovers from all over. For a city its size, it also has a surprisingly large and vibrant [art] community… who keep things humming on the local scene, and have been steadily pushing its standards up.

    Many of this city’s leading art professionals.. are dismayed at the DCCAH’s role in launching Pandamania. It feels like the commission is saying, ‘There’s no need to face up to the challenges of real art; getting a belly laugh from tchotchkes will do just as well.’

    There’s more so do read both the articles and let me know what you think – are they art or are they carnie?

    *expired links removed

    Happy Canada Day

    It is Canada’s 137th birthday! Here’s a little background history and how Canada got its name.

    Many communities have celebrations like parades, free concerts and museums entries, street activities, lots of multicultural performances, and fireworks. Look at capital city Ottawa’s program of events!

    and just in from CBC

    Creative Industries Study

    In today’s ArtForum News:
    Study Reveals Nation’s Most Art-Saturated Cities

    The nonprofit organization Americans for the Arts has released its first national Creative Industries Study, which analyzes in detail the locations of arts-related businesses, institutions, and organizations in all fifty states and the District of Columbia. The study reveals that eleven metropolitan areas have more than ten thousand arts-related businesses, institutions, and organizations (both for-profit and nonprofit) each: New York tops the list with 54,895, with Los Angeles following close behind. But when ranked per capita, the metropolitan area with the highest number of arts-related businesses, institutions, and organizations is Seattle, followed by San Francisco.

    Read the full report: Americans for the Arts.

    Did you notice that three of the cities mentioned here are on the west coast?

    I wonder if a similar study has been done of Canadian cities and how would they compare? Vancouver and Seattle are often compared because of similar climate and size, how about the arts?

    Canadian culture

    ‘if’ backtracked to my post of yesterday on Art in Canada & CBC, so I made a first visit and browse.

    A recent and particularly timely entry caught my eye, Wyman speaks linked to an interesting and currently very important site Our Public Airwaves. There is lots of reading here, and of course the article on Max Wyman’s book, The Defiant Imagination which “makes an impassioned case for why culture matters and why it matters in particular for Canadians”. A must-read!!

    Max Wyman is well-known to Vancouverites as a critic, writer and supporter of Canadian dance, music, drama and literature. I haven’t heard much about his views on visual arts, and not too much about it is in the quoted texts in this article. But his views on the need for government to protect and support culture including multiculturalism come strong and clear, a message that our political leaders need to hear. Support of the CBC is one part of this.

    This book is built on a belief in the paramount importance of creative activity in the fulfilled human life, a conviction that access to creative expression and the shared creative heritage should be universal, and a commitment to creative excellence. Central to the entire exercise is the unyielding idea that, in a world where profit and the bottom line assume a dangerous primacy, society has the responsibility to provide long-term support for culture in all its multiplicity: the making of it, the enjoyment of it and the sharing of it. Since uncertainty underpins all creative enterprise, someone must be prepared to underwrite the possibility of failure. That someone must be society itself, in large part through the funding processes of government.

    To properly protect our culture, it is excellence in creativity that should be supported, not nationalism. Take care of the creators, and the culture takes care of itself.

    As I mentioned in yesterday’s blog, this subject ties in with Chandrasutra’s discussions* on the importance of Canadian culture and how CBC is part of it.

    Again, if you are Canadian, please sign the support a stronger CBC campaign.

    *expired link removed

    summer solstice

    Depending on where you are in the Northern Hemisphere, it is the longest day of the year. Actual dates of celebrations vary in countries, often a weekend nearest the true solstice for convenience. It is mostly a northern European festival with pagan roots like so many of their traditional holidays.

    “Juhannus”* in Finland became so called when Christians renamed it St. John’s Eve. I fondly remember the wonderful looong days and very short almost mere twilit nights, some call “white nights” of the North, with bonfires on the beaches and much merriment. It’s a very important celebration even for emigrant Scandinavian communities in Canada and other parts.

    So, Hauskaa Juhannusta! Happy Midsummer!

    Addendum June 24.04: Torill has written a magical story of a Norwegian midsummer night – ‘Dreams in the shortest night’.

    And Solstice at Stonehenge via BBC

    * link has since expired and has been removed.