Finnish artists’ blogs

A few days ago when browsing through language hat I found coloria. It’s a unique site (in Finnish) all about colours: history, cultural meanings, chemistry, pigments and so forth, plus a discussion forum, by Finnish artist Päivi Hintsanen. She says (in the comments at languagehat), “the site really is my hobby, an escape place when ever my real work starts to bug me. I’m a freelancer web (graphic) designer but I’ve always been attracted to colours.[…] I’ve collected colour related material from everywhere (about 20 years), so the information has been collected bit by bit from several sources.”

Naturally Päivi has several sites including art pages and a blog in English net:design:station and Cholegh her Finnish blog.

At Cholegh I spotted an ikon/link for the Jyväskylä Artists’ Association blog project. (Jyväskylä is a lovely, very culturally lively small city in central Finland that we visited when travelling in Finland in year 2000.) As part of their 60th anniversary this year, this art association is having interested artists write blogs about their work and life as artists. Päivi made a basic layout and showed them how it works. Cholegh became the first one in the project.

Several artists have since started their blogs, with more coming, including a printmaker, Kirsi Neuvonen, whose work I’ve admired since seeing it at the association’s Galleria Becker on that visit in 2000. Though her blog is in Finnish, she also has a website of her works with English, well worth visiting.

I also enjoy Kapa or Martti Kapanen’s gentle humour at kapasia and some examples of his photographic work posted at leuku.

I’ll be eagerly checking these blogs out as they emerge, and there may be quite a few that join in from the membership of almost 100 artists, and though they may all be in Finnish, some will likely have websites of their work with some English.

I’ve truly enjoyed an email exchange with enthusiastic and lively Päivi, who’s already mentioned our new connection on her blog (kiitos!). I’m excited to have at last found, quite by accident, some Finnish artists with blogs. I’m getting some needed practice reading and writing Finnish, and discovering once again how blogs are making the world smaller.

seeing without sight

This is an absolutely incredible story about a blind artist, who has never had vision, who can draw and paint as well as a sighted person. Scientists are trying to find answers to these questions:

Because if Armagan can represent images in the same way a sighted person can, it raises big questions not only about how our brains construct mental images, but also about the role those images play in seeing. Do we build up mental images using just our eyes or do other senses contribute too? How much can congenitally blind people really understand about space and the layout of objects within it? How much “seeing” does a blind person actually do?

Thanks to mirabilis for this link!

anniversary & rocks

Well, today is this blog’s first anniversary and what a wonderful ride it has been. Many thanks to all you faithful readers and commentors and the still growing numbers of visitors who have been and are still making this new adventure such a pleasure for me!

It’s like receiving a birthday present to find an email this morning from artist and keen rock art researcher-explorer Loit Joekalda of Tallinn, Estonia. He writes that Finnish photographer Ismo Luukkonen has updated his web site of rock art photos taken in Finland, Sweden, Norway and Portugal.

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Alas stenar, Kaseberga, Skana, Sweden by Ismo Luukkonen

Some of the navigating is a little confusing but this page gives additional direction. New pages include the Traces of the Ancients which “introduces the layered landscape of south-west Finland. In the cultural landscape of the 21st century lie also marks of the prehistoric ages.”

Especially wonderful are the photographs of standing stones in Sweden at Two Tours, one of which I have borrowed above. I’m amazed to learn that there are so many in Sweden. You may also enjoy his other subject matter as well, like the touches series.

Some long-time readers may remember that I wrote about Luukkonen’s site last summer, and about Norway’s petroglyphs with links to some Swedish and Danish ones as well. If you missed them, have a look!

a Vancouver visitor

Hey, Seattle artist and blogger Carolyn Zick* just visited my neighbourhood, Vancouver, the one in BC, Canada! Read about her too short visit and don’t miss her photos. Thanks for the kind words, Carolyn! Too bad she missed the Massive Change exhibition at the Vancouver Art Gallery – it was such a major installation that it’s taking some time to take down and put a new show up.

I’m only sorry that Carolyn did not have time for a meetup!

*her blog is gone, sadly

Ethno-Techno photos & review

James K-M, curator of the Ethno-Techno exhibition of last October in which I participated, sent a note today that the installation photos of that show are now up on the Digitalis site. Please have a look. If you are new to my blog, you may wish to read my earlier post about this exhibition.

The site also includes a thoughtful article (pdf) written by Dave Watson in the Georgia Straight newspaper Nov.18.2004 about the use of technology by artists, such as in this exhibition. He writes:

the breadth of artistic expression using technology was really underscored for me by the New Forms Festival, held here in October with the theme of ‘Technography: Experiments With Technology to Explore Our World’. Artists are taking to the digital realm and using it to do grandly ambitious things that consistently surprise and amaze me.

Watson interviews James K-M:

As a curator, K-M established the annual Digitalis exhibition of digital print, which was presented this year in collaboration with New Forms. He focuses on work whose digital component isn’t blatantly obvious once the computers are removed. The printout (or other output method) stands on its own, framed and mounted. Perhaps because K-M’s background, precomputer, was as a painter, his interests lie more with the message of a given work than with the electronic gear that created it. He wants art that says something about human consciousness and that isn’t just a means to decorate a wall. When we’re looking at sculpture, painting, or digital art, he says, the important question is, What are the ideas? You can look at the technique afterwards. With Digitalis, he aims to present works that couldn’t have been created without computers yet that don’t necessarily look like they were. With this work the technology disappears, because the artists are pretty good at using the software. It’s a medium just like any other. When you’re pushing paint on canvas it’s no different than on a computer, where you’re pushing the medium within its structural limitations.
(Hyperlinks added by me.)

Prints from Newfoundland

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Guide and Protector of All the Children (detail), Jerry Evans, lithograph, 2000
(scanned from Burnaby Art Gallery invitation)

The Burnaby Art Gallery has been featuring quite a few print exhibitions this past year and this one sounds the most exciting yet: The Power of Place – 30 Years of Printmaking in Newfoundland is on from January 14-February 27, 2005.

This exhibition includes 50 prints and one artist’s book by 13 artists selected from the archives of the St. Michael’s Printshop in St. John’s, Newfoundland. It is curated by Patricia Grattan, director of the Art Gallery of Newfoundland and Labrador and organized and circulated by that gallery.

The Printshop’s spring 2003 newsletter on their website states:

The Power of Place opened at the Art Gallery of Newfoundland and Labrador on March 14 to explore the role that St. Michael’s Printshop has played in the development of Canadian printmaking practice and to mark its 30th Anniversary. In attempt to select the work for the exhibition from the over 2000 works in the printshop archives, curator Patricia Grattan “chose to focus on individual artists from Newfoundland and elsewhere.” She wanted to show “artists whose work and art practice have been shaped by St. Michael’s, or artists who have helped to shape its operations and objectives (and the influence often has gone both ways). They include its primary founders, visiting master printers, Newfoundland artists who have gone on to earn their master printer chops, artists who also served as shop co-ordinators, board members, and some who are acknowledged as leading Canadian printmakers and print innovators.
… (from Patricia Grattan’s curatorial text.)

St. Michael’s Printshop has played an important role in the development of printmaking in Canada. It was founded in 1972 by artists Heidi Oberheide and Don Wright. At the time, there were no accredited art teaching programs in St. John’s and the studio quickly became, and continues to be, and important element in the development of professional and experimental artists.

The Visiting Artist program is internationally well-known and sought out, and some of my printmaker friends on the Westcoast have taken that opportunity, such as Taiga Chiba and Manuel Lau in 2003.

I am really looking forward to viewing the works of these important printmakers who live or have worked for a while in Newfoundland, on the very far away opposite coast of Canada. For my away-from-Vancouver readers, I’ve found links for all the artists so that you can see some examples of their work, since the exhibit itself, sadly, has no web page and the Burnaby Art Gallery’s listing is very minimal. if you are interested in learning more about printmaking and the history of St. Michael’s Printshop, do visit their website.

The artists: Anne Meredith Barry, Sylvia Bendzsa, Jerry Evans, Helen Gregory, Don Holman, Harold Klunder, Christine Koch, Heidi Oberheide, Sharon Puddester, William B. Ritchie, Otis Tamasauskas, David Umholtz and Don Wright

ADDED: Please see my post with photos about our visit to this show

Tomoyo Ihaya

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Art Beatus is presenting Fountain, a special collection of prints and mixed media works by Tomoyo Ihaya from January 14 to March 11, 2005. The opening reception is on Friday, January 14th from 3 to 6 pm. in the Nelson Square Tower at 108 – 808 Nelson Street, Vancouver.

Tomoyo and I met and became friends some years ago at the Art Institute, Printmaking at Capilano College. Later she went on to do her Masters in printmaking at one of the best printmaking schools in Canada, at the University of Alberta in Edmonton. Tomoyo has won many awards for her work, including the Ernst & Young Great Canadian Printmaking Competition. To see more of her work, have a look at this award-winning piece (pdf). If you are in Vancouver, I hope to see you at the opening!

UPDATE Jan.15.05: I did make it to the opening yesterday afternoon and was glad I went. Tomoyo’s work is always appealing and poetic. Her venture into a new medium with the “little people” installations succesfully melded thematically with her works on paper. Lots of people there. Congratulations, Tomoyo!

a winter story

I am so thrilled and proud that I must share this! My four-year old grandaughter sent this lovely story she created (with a little help from her mommy and daddy): Lael’s Winter Story*
Don’t miss clicking on the circles to repeat or continue to the end, I did the first time. At the end you will find last year’s great story.
Enjoy your Christmas Eve!
(*Macromedia Flash Player required.)

some art reading

Holiday preparations have sidetracked me lately from the more serious business of art. Trying to keep up with reading some art blogs, I found this to be so good that I’d like to point you towards Zeke’s Gallery in Montréal. Chris has posted a very interesting, eye-opening and informative interview with Marc Mayer, the new director of the Musee d’Art Contemporain de Montréal.
And do check out James W. Bailey’s online Art Blog Project ANTI-OPTIONS 05. (Thanks James for letting me know!)

a printmaker’s blog

This is why I don’t want to shut off the comments against nasty spammers. Recently Linden Langdon*, a new visitor to my blog, wrote in a comment. I am excited because she is also a printmaker who has a blog. From Hobart, Tasmania (Australia) she has written about the challenges of her final year of art schooI doing lithography and etching. It’s an attractive site with much information on her processes and project. I suggest a visit!

Update: Linden’s original blog no longer exists but she has a lovely website, so the link above has been changed to direct you there.