language leak

I must still be thinking about accents and language and identity because this article caught my eye and really struck a chord. A study says that languages ‘leak’ into each other in subtle ways:

While linguistics experts are reluctant to talk of a ‘third language’ being formed in the brain of an immigrant, studies are now beginning to show that the brain does find it difficult to completely compartmentalize two distinct languages without merging them in subtle ways, says U of T linguistics professor Ana Teresa Pérez-Leroux.

What we are finding is that we don’t and can’t have complete separation between different languages in our heads. Yes, you can become very talented with your acquired language but there will always be a kind of window in our brains where one language will always ‘leak’ into another.

For example, a fluently bilingual speaker may say something in almost perfect English with the exception of one or two words or word structures from their mother tongue infiltrating the sentence. One instance is a person whose native language is German and who has mastered the English language saying something like, “I to the dining room go.

(via mirabilis)

My own experience is that this language merge isn’t always so subtle, especially amongst the less educated working class immigrants. As regular readers know, I’m an immigrant, but I learned my second language as a child going through school. I was always very aware of the struggles with English that my parents’ generation of Finns and other immigrants experienced. Something very interesting happened to many of the Finns (and I believe this happens in other languages too) – they developed amongst themselves what became called “finglish”, a mixture of English and Finnish. They would take an English word and add a Finnish ending to it, usually a vowel. For someone who was unfamiliar with it, it sounded hilarious and puzzling. Long ago, I bookmarked an actual article about finglish as practised in the US. Some of the examples given are unfamiliar to me so they must be locally variable.

One time we were visiting with some family in Finland, at the same time as some other older relatives from Canada happened to also be there. My young Finnish cousin, who knew English fluently, was listening to their speech with a puzzled look on his face. He commented to me later that he was amazed that they could not speak English correctly nor could they speak Finnish properly either! Funny yet sad.

accents

Artist Karen D’Amico of fluid thinking** wrote about how her accent betrays her roots even after 15 years in her new country. It got her “thinking about the notion of accent as a marker for identity.”

This subject always fascinates me too. I’m always interested in learning where people are from when I hear a foreign accent. Because I emigrated to Canada as a child and was educated here, I sound Canadian, unlike those who emigrate when older. (In Finland I sound Finnish, but what gives me away is my somewhat limited vocabulary.) Sometimes I wish I had a little bit of an accent for it sounds charming to my ear and would match my foreign name, a bit of vanity perhaps. A few people have said they detect a slight difference in the way I speak. Once I had a weird experience – an appliance salesman, who did not know my name, asked me if I am Finnish. This totally astounded me and I asked how he knew. He said his mother is Finnish, and it was the way I moved my mouth that was like hers. Isn’t that amazing?

Anyway, Karen found a fascinating link for a speech accent archive that I intend to explore in my leisure (not much of it these days).

** Reedited March 15th, 2013: Karen has not been at this blog address for some years, so link has been removed. I have now at last and quite accidentally found her new eponymous website: Karen Ay

dog days of summer

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I always wondered where the expression dog days of summer came from. It made me think of overheated dogs panting with their mouths open and tongues lolling. I do feel rather like a hot dog these days.

In the summer, Sirius, the “dog star,” rises and sets with the sun. During late July Sirius is in conjunction with the sun, and the ancients believed that its heat added to the heat of the sun, creating a stretch of hot and sultry weather. They named this period of time, from 20 days before the conjunction to 20 days after, “dog days” after the dog star.
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Art is a simple tool for fine-tuning our experience of being alive. I like what Ismo Santala writes in his article Art: Advances in Acuteness via wood s lot.

Noting the author’s Finnish name, my curiosity sent me googling. Ismo Santala has published reviews of literature, comics, music, film and interviews but the only biographical information I could find was at the scriptorium:
Ismo Santala was born whilst Jacques Tati celebrated his final birthday, and is currently studying English Philology at the University of Tampere, Finland.

opera in Finland

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I’ve suspected for some time that Charles Downey of Ionarts is “quite a Finnophile”, as he admits in a great post about Finnish opera and the Savonlinna Opera Festival.

For me, Savonlinna is a special town in the beautiful lakes region of eastern Finland, the region where I come from. On two different visits to Finland with my family, we stayed with an uncle there. The first visit he treated us to a performance of Wagner’s “The Flying Dutchman” at Olavinlinna Castle, where the Savonlinna Opera Festival has been held every summer since 1967. The opera was magical and memorable with the magnificent setting of stone walls and open sky.

In 2000 we went again and saw Gounod’s “Faust”, again a truly great experience, now with a permanent cover over the courtyard. I’m sure that on our next visit to Finland someday we shall go back, and also it’s not far from my favourite art gallery Retretti.

Charles Downey “harbor(s) dreams of going one day to the Savonlinna Opera Festival in Finland” perhaps in 2007 – and perhaps we shall meet there! Thanks for jogging some happy memories, Charles.

Graphica Creativa

Graphica Creativa is the second oldest international printmaking exhibition in the Nordic countries. It is arranged in Jyväskylä, Finland every third year. Thanks to Graphica Creativa, Jyväskylä has become a centre of printmaking. A few days ago its 30 Years Anniversary Exhibition opened and will continue ’til October 2nd. It consists of four different shows in four locations in Jyväskylä:

1. Finnish Open: an open print competition for Finnish printmakers in which 39 artists were selected from 192 entries, with three prizewinners, view their works. I notice that Vappu Johansson was on the jury – we met several years ago in Vancouver, then Helsinki.

2. After All These Years – International Invitational Exhibition: “The exhibition brings together nine international artists whose participation in the past triennials were memorable. Thus sentiments of nostalgia and joy of reunion can be expected. Many of the featured artists are today quite elderly, but active in their artistic work.” View these works.

Ikeda Ryoji of Japan is the most famous of these, I think, and I’ve been fortunate to see his very admirable work. Also I’ve seen Jiri Anderle’s fantastic work in a monograph that a friend showed me. I almost bought a copy in Prague a few years ago, but it weighed a ton, was expensive and available only in Czech! A part of me still regrets that decision.

3. “A View from the North consists of the works by seven Nordic female printmakers. Johanna Boga and Valgerdur Hauksdottir from Iceland, Outi Heiskanen and Ulla Virta from Finland, Helmtrud Nyström and Ulla Fries from Sweden and Sonja Krohn from Norway are all internationally well-known and recognized artists”.

I’ve seen Outi Heiskanen’s work in an exhibition in Finland and absolutely love it. I dearly wish she had a web presence for she was awarded the top printmaker in Finland many years ago. (See an image of an older work below). Presently she has a retrospective exhibition (PDF) in Tampere Finland. And Valgerdur Hauksdottir’s work, which I found on the net some years ago has also been an inspiration to me.

4. The Young Ones: “Galleria Harmonia presents the works of Graphica Creativa´s young ones. These Finnish art students come from Imatra, Joensuu, Lahti, Turku and Uusikaarlepyy. During the exhibition the students will also take part in a week-long printmaking course with printmaker Sandra Ramos as their teacher.”

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Outi Heiskanen, The Hermit of the Monastery, Etching, 1988
from Europe of Tales

Update July 13th: If you can read Finnish, go read about the lively opening party, written by two Finnish artist-bloggers who were there, Kapasia and Carborondum.

Land of the Saame

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Photo by Pekka Antikainen, in “Land of the Saame”

As my dear readers know, I’m fascinated by the northern indigenous cultures, in particular the Saami people of northern Europe who are a branch of the Finno-Ugric family. Some time ago I came across a Finnish photography website Leuku.fi that includes a book by Pekka Antikainen: Saamenmaa or Land of the Saame. It is viewable as a PDF (7.9 MB). It’s full of gorgeous yet honest photographs and stories of the land and the people, with text in both Finnish and English.

He writes,

It was in 1982, as an enthusiastic student of photography,
that I made my first photographical expedition to Lapland.
The imposing scenery of Enontekiö made a great impression
on me, but it was in the village of Raittijärvi that I realised
something that eventually led me to produce this book on
the Land of the Saame, although I could not have imagined
then that it would take me a whole twenty years to complete.

I highly recommend a read and look for an understanding and appreciation for this unique part of the world through the eyes of this empathetic observer.

(Oh, and it is available to purchase for 34 Euro, just click on the lower image and an email window opens. No, I have nothing to do with it, but just noticed that this page has no English for non-Finnish buyers.)

Arthus-Bertrand in Helsinki

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Yann Arthus-Bertrand over Helsinki – photo from Helsingin Sanomat

I’ve been really enjoying browsing through some fantastic aerial photos by celebrated French photographer Yann Arthus-Bertrand. He has an extensive summer exhibition, Earth From Above, in Helsinki, including a World Map spread out in Kamppi Square. One of many currently on display in Europe and beyond, the exhibition contains 120 large aerial images of different corners of the world. Upwards of 50 million people have seen it before it reached Helsinki.

Arthus-Bertrand is also captured in action (above photo) as he took the opportunity to fly over Helsinki for more aerial photos.

Yann Arthus-Bertrand’s website Earth from Above shows over 200 photos out of 300,000 taken in over 150 countries! You can select which country to view, such as his native France ( wow, I did not know France looked like that! ). There are a only a few (yet!) of Finland and Canada. And there are even more of his projects and working methods to view at his very extensive website, so do go and enjoy!

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Heart in Voh, New Caledonia – Yann Arthus-Bertrand

Midsummer nights

Many summers ago my husband, our two little girls and I were traveling by car and ferries through Germany to Denmark, Sweden, Finland and back again to Germany before flying home to Canada. The night we arrived in Denmark we went to friends for a delightful family dinner in their home. Afterwards we were invited to come with them to a lovely big midsummer’s party at the gracious manor-like home of our friend’s company manager. At midnight everyone walked down to the coastal beach to see the many bonfires lining the shore – a magical scene.

The next evening we were in Sweden in a little town by the sea, wondering why the town was strangely empty and quiet. Walking around we soon heard music and merriment in a park on the outskirts where we found everyone celebrating Midsummer’s in a fairground theme including something like a maypole. Our children loved the rides and lively music.

In Finland the next night we again enjoyed a Midsummer’s celebration, actually Juhannus (St. John’s Day) with bonfires on beaches and young birch branches tied to posts everywhere. Everyone with a summer cottage was out there with family and friends. According to Virtual Finland, “the interminable nights of winter have given way to the white nights of the Finnish summer. Midsummer, celebrated at the summer solstice, has been very important since pagan times, especially in northern Europe, where the difference between the dark and the light seasons is particularly dramatic. In the north of Finland, Midsummer marks the peak of the exotic appeal of the Arctic, as the sun remains above the horizon all night.”

Obviously the actual celebration dates are rather flexible in each country for convenience, and our family struck lucky to enjoy it three times in three countries where it is a major annual event. It’s strange to me that it’s called midsummer, when it’s really the beginning of summer, especially in the North. Sadly though, from now forth the days are starting to get shorter. Those white nights are truly unforgettable!

If interested, you might like to read more about this in last year’s post, and at Answers.com. In Britain, Stonehenge is open again for solstice celebrations.

Hauskaa Juhannusta! Happy Midsummer’s!

UPDATES: Stonehenge in Pictures at BBC, and this article in National Geographic

visiting Sacral Spaces

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copper dome of Rock Church, Helsinki

Another exhibition that we went to see on our Friday jaunt about town was Sacral Spaces at the Emily Carr Institute. The main attraction for me was, of course, that this featured Finnish architecture (did I ever mention that I almost studied architecture?).

The exhibit consists of very large colour photographs of twelve churches, copies of architectural sketches and 3D mockups and a video. They all have in common great simplicity, light and often views of trees to connect to nature. All are wonderfully designed spiritual feeling spaces, but I’ll just mention two that to me are most unusual. St. Henry’s Ecumenical Chapel in Turku by Matti Saaksenaho (1995) is like a ship’s hull or an ark, upside down, sitting on a hill clad in patinated copper, reminding us also of the Christian symbol of a fish. I wish I could have found a picture on the net for you, or stolen a photograph of it.

Most memorable is the famous Temppeliaukio (or Rock Church) in Helsinki, because we’ve been there a couple of times as tourists. I wish we’d had the time to attend a service or concert there, the acoustics are supposed to be fantastic. Designed by Timo and Tuomo Suomalainen (1960s), it was excavated in the bedrock in the heart of the city, with only a dome rather like a flying saucer showing above the rock when walking in the rocks above. The centre of the dome inside is burnished copper with ribs going outward to support glass circling the outside of the dome (in photo above). The walls are the natural rough rock with flowing water. “It recalls ancient burrows and holy mounds… The archaism arouses a strong primal feeling.” (from exhibition notes). Do have a look at this slide show of Rock Church.

While on the subject of churches in Finland, I want to tell you about a more modest one that we discovered and fell in love with in 2000, on a visit to Paateri, the studio-home of well-known Finnish sculptor Eva Ryynänen. It’s a lovely wooded acreage with a small lake, and here she also designed the log chapel and all the carvings, doing much of it herself with assistants including her husband Paavo. We were very lucky to be there when there was a wonderful performance by a beautiful young woman playing the Kantele. Below is an interior view on the right which really doesn’t show enough details of the fine carving on almost every surface. On the left is a closeup of the altar, made using the roots of a tree, with a window behind and above to enhance the connection to nature and the spiritual, often utilized in Finnish churches and chapels.

Paateri.jpg

Sacral Spaces

Here’s an interesting exhibition of Finnish architecture that I look forward to seeing, right here in Vancouver! (links mine)

Hughes Condon Marler: Architects in collaboration with Emily Carr Institute’s Charles H. Scott Gallery presents Sacral Spaces – Modern Finnish Churches, June 10 to July 24, 2005 at Emily Carr Institute’s Concourse Gallery, Vancouver, BC.

As the only Canadian presentation of this atmospheric exhibit, visitors can view photographs, videos and scale models of 12 strikingly modern and evocative churches built in Finland after World War II. It was during this time a large number of churches and chapels were built across Finland, and their construction brought together many of the country’s prominent architects, artists and interior designers to create extraordinary spaces in the new Finnish Modern style. Ethereal light, clean lines and sparse spaces unite these uniquely Finnish designs, Alvar Aalto’s The Church of the Three Crosses among them.

Built as the result of architectural competitions, these sleek monuments to modernism – with feelings of nature and sparseness of ornamentation –reinterpreted the way churches could look. Highlights such as Alvar Aalto’s Church of the Three Crosses, completed in 1958, and Kristian Gullichsen’s Kauniainen Church, 1983, prove that the faithful can be transported by beautiful modern architecture.

Sacral Space is an international exhibition with stops in Tokyo, New York, Washington D.C., and Mexico City. The exhibition is organized by the Museum of Finnish Architecture in collaboration with Tokyo Design Centre and the Church Resources Agency in Finland.

Via Architectural Review. Please view this Postcard [PDF] for exhibition times and schedules of talks.

There are short reviews and a few photos in ArchitectureWeek and the website of the Embassy of Finland in Washington.