death of film

J.T. Kirkland at thinking about art wrote a review of James W. Bailey’s photography exhibit “The Death of Film”, showing at the Fisher Gallery in the Schlesinger Concert Hall & Arts Center, Alexandria, Virginia. Bailey’s work, coined “Rough Edge Photography,” concerns itself with the demise of film photography. His process incorporates the violent manipulation of unexposed film, developed negatives and prints. The results are unique images that can not be duplicated: each “Rough Edge Photography” piece is an original work of art.

James W. Bailey responds, mainly on the issue of his framing. I think Bailey speaks very honestly about his unique work, and why he uses this process, thus giving us a better understanding. Very interesting reading!

Somewhat related previous articles on the state of photography:
end of photography?, Hockney’s view and about “big” digital prints.

experiencing art

Lenny writes an interesting art blog at Washington, DC Art News. Today he writes about how he came to chosen to be the curator for the upcoming “Homage to Frida Kahlo” exhibition. (The call for artists will be announced soon by Art.com.)

Lenny writes about seeing Frida Kahlo’s work for the first time in 1975 in Mexico:
I remember walking into the museum salon where the Two Fridas hung. It was love, or more like witchcraft, at first sight. This large, spectacular painting swallowed my visual senses and attention as no work of art would do again until…

He became “obsessed'” by her work, and in 1997, together with the Mexican Cultural Institute he curated a highly successful exhibition of Kahlo’s work in Washington, DC. He writes that The love affair then produced in 2002 a show of my own work titled “Passion for Frida: 27 Years of Frida Kahlo Artwork. With this obvious passion for and knowledge of her work, he was thus invited to be curator for this new exhibition.

Now I love Frida Kahlo’s work, which I saw two years ago at the Vancouver Art Gallery, but what particularly struck me about this story, is the EXPERIENCE of seeing art that draws a powerful response within the viewer.

A new blogger, Stacy Oborn wrote about this experience recently:
…when you encounter work that, to borrow van gogh’s language, ‘hits the yellow high note’, it is at once made known to you that what you are responding to is an articulation of your aesthetic that you had yet to realize, something within that you are confronted with, and that once confronted you know that your task is to find a way to wrench it from your being and put it out in front of you. like that which you are looking at, but to have it come from you.

Bill Reid’s art on $20 bill

For the first time ever, the work of an artist is featured on a Canadian currency note. The new twenty-dollar bill with anti-counterfeiting features, still has the Queen on one side, and the other illustrates the art of Bill Reid, the late Canadian artist who revitalized the West Coast Haida culture of his mother.

Most prominent of the four works represented are the monumental sculpture The Spirit of Haida Gwaii, one of which is at the Canadian Embassy in Washington, and The raven and the first man, the Haida story of human creation, located at the The Museum of Anthropology at the University of British Columbia. (I wrote about MOA recently.) The other two are Xhuwaji – Haida Grizzly Bear and Mythic messengers.

“Also on that side, in the country’s two official languages, is a poignant question from the late Canadian writer Gabrielle Roy : ‘Could we ever know each other in the slightest without the arts?'”

**From the article “Haida icon’s art on flip side of Queen” by Glenn Bohn, in yesterday’s
Vancouver Sun (Aug.26.04). Also the Globe and Mail (Aug.25.04)

(**Registration may be required for both newspapers, sorry, but try BugMeNot, recommended by mirabilis)

more Spiral Jetty photos

Last week I wrote about Smithson’s Spiral Jetty re-emerging and about Todd Gibson’s visits there. Hope you have had a look at his series of articles and photos at From the Floor.

Today he came across some photos at While Seated that were taken ten weeks earlier! Have a look at these gorgeous photos and see the difference in the water levels: #1, #2, #3, #4, #5, #6.

Thanks Todd for finding them and sharing.

Wayne Eastcott & Michiko Suzuki

A fascinating collaboration between two internationally well-known printmakers has been happening in the printmaking studios at Capilano University, North Vancouver. Japanese artist, Michiko Suzuki of Tokyo, Japan became the University’s first artist-in-residence in the fall of 2003 and also began a collaboration with Wayne Eastcott, printmaking faculty of Studio Art.

As a member of the Art Institute (Printmaking) at Capilano University**, I was fortunate to observe Michiko’s interesting demonstrations and seminars on her use of Japanese papers (washi) and her unique technique of toner etching. Most exciting was watching Wayne & Michiko’s development of their collaborative works.

This ongoing series of print media works is called INTERCONNECTION. Some of the earliest of these were presented in an exhibition held in Capilano University’s Studio Art Gallery in December 2003. Read their exhibition statement (pdf) describing how their project developed, and what is “yobitsugi.”

Michiko has been here again this summer so both have been working hard to complete their project. They have allowed me to reproduce some of their work here (their copyright).

Eastcott_Suzuki_image1.jpg
Interconnection 2 – Yobitsugi 1 2003
inkjet, silkscreen, etching, chine collé & metallic pigment
78 x 113.5 cm.

Eastcott_Suzuki_image2.jpg
Interconnection 2 – Yobitsugi 2 2003
inkjet, silkscreen, etching, chine collé & metallic pigment
78 x 113.5 cm.

Eastcott_Suzuki_image3.jpg
Interconnection 3 (Recall 1) 2004
inkjet, silkscreen & metallic pigment
80 x 108 cm.

wayne_michiko.jpg
Michiko and Wayne in the printmaking studio at Capilano University

More about Wayne Eastcott including images of earlier works:
– Represented by Elliot Louis Gallery*, Vancouver
– **UPDATE: now represented by Bellevue Gallery in West Vancouver
Grand Forks Art Gallery exhibition*
– Capilano University faculty web gallery*
– More images via Google Images

More about Michiko Suzuki, including some images:
a review
TrueNorth SNAP International Print Biennial 2002 2nd prize
Lessedra (Bulgaria) World Art Print Annual 2004 participant
Bimpe III Triennial First Prize
Gallery 219 in Tokyo, Japan, will be showing Michiko’s personal work Oct.5-Oct. 20, 2004

* UPDATE January 2012: Some links have been updated or removed if expired.
Edited January 16th, 2013 to show larger images.
** UPDATE summer 2013: This program is no longer offered at Capilano University so link is gone

Smithson’s Spiral Jetty

My daily newspaper The Vancouver Sun’s weekend edition has an Arts & Life section (subscription needed for online archives) which I often enjoy reading over lazy weekend breakfasts. The August 14th paper featured a fascinating article “Land art rises as lake shrinks” by Martin Gaylord for the Daily Telegraph. It is about Robert Smithson’s Spiral Jetty in the Great Salt Lake in Utah, built around 1970, and which has been submerged since a few years after. Now the water level is down to where it was and the Jetty “has re-emerged, transformed, glistening and white as snow”.

Almost immediately after reading this article, I went to my computer to check emails and my favourite blogs, plus a few new ones that I had bookmarked to check out at leisure. One of these latter, From the Floor, would you believe, had this post:

On the way to Spiral Jetty. Todd Gibson wrote about his plans to visit the Jetty with some great links, including to the original article in The Telegraph. Today he’s back with some photos and more to come. So go look for yourself and check out those links.

The Spiral Jetty, having been submerged for three decades, has taken on the air of some ancient creation by early humans. Though Smithson supposedly was not interested in the spiral’s symbolism, I could not help feeling some connection to this symbol used universally by early people around the world. I have tried to search for interpretations for the spiral, but those are of course shrouded in time, and can only be conjectured.
(thanks to Todd)

UPDATE – Robert Smithson exhibition:
This major exhibition begins its national tour in Los Angeles on September 12, 2004, at The Museum of Contemporary Art (MOCA) Los Angeles and remains on view through December 13, 2004. It will travel to the Dallas Museum of Art (January 14 to April 3, 2005) and the Whitney Museum of American Art in New York (Summer 2005). The exhibition features over 150 works, including paintings, works on paper, essays, photographs, objects, and films from 1955 to 1973.

(thanks to Caryn at art blogging.la)

UPDATE 2: See more Spiral Jetty photos

Warhol at VAG

lenin72.jpg
Lenin by Andy Warhol ( silkscreen – from Artchive)

Another destination visit with our European visitors was to the Vancouver Art Gallery and its main summer exhibition Andy Warhol: Prints and Drawings from the Warhol Museum.

Warhol’s work continues to be shown around the world almost to the point of over-exposure. This VAG show even merited a report on Art Daily (no longer publishing, but archives are still on line), and of course, at The Andy Warhol Museum site. We have all seen lots of Warhol’s work in the past, including here in the VAG and in Europe, so we were pleased to see a number of pieces here that were new to us: some very early works, many drawings and a few prints like the above portrait of Lenin, which I rather liked more than many of his works that have become too common.

Another exhibition Baja to Vancouver: The West Coast and Contemporary Art presents the hottest contemporary artists working on the West Coast of North America today. Although Vancouver and Los Angeles are internationally recognized art centres, the West Coast has never before been the subject of a major survey exhibition.

Most memorable works for me were the installations by Liz Magor (including “Double Cabinet” shown here), Brian Jungen’s First Nations masks and a wall piece made from red, white and black Nikes, and Russell Crotty’s wonderful hanging Globe Drawings.

Speaking of Brian Jungen, the Vancouver Art Gallery received a $50,000 (U.S.) grant from the Andy Warhol Foundation for the Visual Arts for the purposes of organizing a major touring exhibition of works by this Vancouver artist. Read more via this PDF. I wonder if this is why the VAG presented another Warhol exhibition in less than 10 years. Vancouver gets so few major international exhibitions that I felt disappointed in this decision, the result of budget constraints as usual.

Museum of Anthropology at UBC

totem.jpg
(detail of totem in Great Hall – I love the circles of figures wrapped around the pole)

For the past few days we have been showing off our lovely city to some family visiting from Europe. One of the highlights was The Museum of Anthropology at the University of British Columbia.

The building alone is wonderful to see, designed by renowned Canadian architect Arthur Erickson**, who took his inspiration from traditional northern Northwest Coast post-and-beam style architecture. The Museum’s soaring glass walls and spectacular setting – on the cliffs of Point Grey overlooking mountains and sea – are uniquely suited to the Museum’s extraordinary collection of massive Northwest Coast totem poles, carved boxes, bowls and feast dishes, as well as diverse objects from around the world.

I always love revisiting the Great Hall beneath which stand towering totem poles from the Haida, Gitxsan, Nisga’a, and other First Nations and especially the Rotunda, where Bill Reid’s massive sculpture, “The Raven and the First Men” is displayed. Take a peek around the MOA with this Virtual Tour.

There is a great deal to see at MOA, but another particular favourite was Robert Davidson: The Abstract Edge, Recent Works by Renowned Haida Artist. This exhibition, put together with the National Gallery of Canada and others, show his sculptures and paintings. Davidson’s statement resonated with me: My passion is reconnecting with my ancestors’ knowledge. The philosophy is what bred art, and now the art has become the catalyst for us to explore the philosophy.

His contemporary work moves between the abstract and the old traditions. The creative freedom he grants himself comes from his experience in helping to restore the place of art within ceremonial practice – and with it the understanding that ‘culture’ can be both inherited and newly imagined. (museum statement)

Then, to finish on a high note, an exciting moment in MOA’s bookstore, I found this beautiful book:
Inuksuit: Silent Messengers of the Arctic
by Norman Hallendy. I could not resist it after just recently writing about Inuit Places of Power.

** Additional links of interest on Arthur Erickson:
some great buildings
a fan’s site

My Top Ten

Tyler Green started something here by posting his top ten favourite artists and asking other bloggers to post their lists. Then today he posted those!
I’m late to the party, having such a very busy week, but have been inspired into thinking and doing lots of culling to get them down to just ten! So here finally is my list of favourite 20th Century artists, (except for the last one). A few of them I’ve written about in my blog and linked to; some have a scattered web presence, so a google search will be in order to see more examples of their work.
1. Kathe Kollwitz: grief
2. Jim Dine: printmaking
3. Robert Rauschenburg: innovation
4. Outi Heiskanen (Finnish printmaker & installation artist): magic
5. Axel Gallen-Kallela (Finnish painter): nationalism
6. Antoni Tapies: texture
7. Betty Goodwin: connectedness
8. Aganetha Dyck: bees
9. Ivan Eyre: drawing
10. AND all the anonymous cave painters and rock artists from our ancient past : inspiration
Jan.2.06 UPDATED new link for Aganetha Dyck

Phonecam photo art

This is very interesting! Pinseri* (in Finnish, from the land of Nokia!) writes (my translation): “If you belong to the group always dreaming of a more expensive and superior digital camera, take an example from Henry Reichhold. He snaps piles of photos with a cellphone camera and assembles them to create fantastic panoramas.”

Read the BBC News article. Note the comparison of pixels to pointillism. Then look at the panorama gallery*. My favourite panoramas are the Icelandic scenes!

More about the art and the artist Henry Reichhold.

*expired links have been removed