Burnaby Art Gallery exhibitions

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Wayne Eastcott: Diagram Lambda, serigraph.
City of Burnaby Permanent Art Collection.

The Burnaby Art Gallery features two interesting exhibitions.

1. A Survey of British Columbia Printmaking – November 9, 2004-January 2, 2005

From the invitation (links added by me): “The Burnaby Art Gallery has been collecting, on behalf of the citizens of Burnaby, prints by local, regional and national artists since 1967 that explore many social and political issues. Artists such as Arnold Shives, Carel Moiseiwitsch, Gordon Smith, Wayne Eastcott, Doug Biden and Jack Shadbolt are well represented in the collection and exemplify some of the best work in printmaking that has occurred in British Columbia.”

Read one of my posts about Wayne Eastcott.

2. The British Columbia Landscape by Toni Onley – November 2, 2004-January 2, 2005

The late Toni Onley has left an indelible mark on the history and development of art in Canada. Works for this exhibition focus on pieces from the Permanent Collection that relate to the British Columbia landscape.

Read a post about Toni Onley.

Burnaby Art Gallery, 6344 Deer Lake Avenue, Burnaby, BC Phone: 604.205.7332
Tuesday to Friday 10:00am-4:30pm, Saturday & Sunday 12noon-5:00pm

Jean C. Morrison

Jean Morrison and I have been friends and printmaking colleagues for a long time, working together in the Art Institute printmaking studio. Jean has worked in a wide variety of printmaking media, even venturing recently into digital inkjet printing, yet she is best known here for her wonderful cyanotypes.

Jean says of her work: “My interest is in the forms and processes in the natural world and in the artifacts and ceremonies of humanity.” The Nest Series consists of 28 variable editions using cyanotypes with other media, based on the numerous discarded bird’s nests that she has collected. Shown below are two examples from this series. The etching and inkjet print, though not part of that series, reveal her continuing fascination for nests and eggs.

Images are copyright Jean C. Morrison, used here with her permission.

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Nest Series #15
cyanotype, etching & collage
38 x 56 cm.

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Nest Series #18
cyanotype, etching & collage
38 x 56 cm.

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Nest Egg
etching
56 x 48 cm.

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Nest Egg II
inkjet print
21 x 27 cm.

In 2000 Jean was one of twelve artists chosen to be part of the “Visions of the North Shore” Art and Heritage Millennium Project. Read about it in the North Shore News and the Capilano College (now University) website, and have a look at this group photo of the artists.

UPDATE Nov.20: See post about her current exhibition

Edited January 16th, 2013 to show larger images and update links, though some have expired.

Andrew Wyeth’s Helga

I’ve always been fascinated by Helga, the subject of numerous paintings and drawings by Andrew Wyeth. Now we can see 70 of the more than 240 works he did of his neighbour Helga Testorf, on exhibition at the Mint Museums of Art in Charlotte, North Carolina, USA. And thanks to the internet, we can also see them via this excellent virtual tour, consisting of a panorama gallery shot and a slide show of all 70 pieces! Andrew Wyeth (born 1917) created these from 1971 to 1985 in nearly complete privacy without revealing to anyone, even his own wife, the existence of the series, the identity of the model, or the extent of the project.
(Found at Art Daily) More about Andrew Wyeth at artchive.

an artist’s blog

Anna sent me an email suggesting I read and comment on Rachael’s post of Thursday about artists blogging. Go read Rachael’s first, including the comments, then come back here for my response, which I decided to post here:

I’ve been an artist all my life, and professionally for half that life. Artmaking is an important part of my life along with my family, home, friends and many interests. I started blogging almost nine months ago to show my art work, talk about my favourite medium of printmaking and to write about the many things that interest and influence me and make me the person, and therefore, the artist that I am. The blog is a way of recording all these things, somewhat like in a journal but more so because of the joys of linking to other sites. It is a way of sharing these with any readers that care to read them. I really did not know fully at the beginning how passionate I was to become about blogging.

It’s gratifying to note the statistics show that the numbers of readers have been growing and growing. Yet I receive few comments, mostly from a few faithful who have become friends. Sometimes, like Rachael, I wonder how readers feel about my site. I’ve thought about asking “Who are you, dear readers and how did you find me?”, especially those who are scattered around the world, (many in Finland!). Maybe I don’t want to know and really, I’m not about to change, since I’m doing the blog for me as another creative project, as a form of self-publishing. Anyway, if the readers are still there, I must be providing something of interest for them, and so I am very very thankful for this silent encouragement.

Because this blog is in part a professional site about my work and might sometimes be viewed by a gallery or collector (I can hope!), I’ve been keeping really personal stuff out of it, as well as to maintain its focus on art and those interests and influences that I mentioned. I do believe we should feel free to let our blogs be what we want them to be (as long as no one is being hurt by what we say of course).

Rachel, Anna, and readers: Have you noticed that there are not very many blogs by artists about their own art, at least that I have found? Is blogging still such a new phenomenon for visual artists, and why? There are quite a few blogs about art shows and art criticism, and numerous literary blogs.

As I was writing and thinking about this, I was catching up on reading some blogs I like. Synchronicity struck as Keri at Wish Jar Journal mentions Rachel’s blog too and presents this perfect quote:

There is a vitality, a life-force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time this expression is unique. and if you block it, it will never exist through any other medium and be lost. The world will not have it! It is not your business to determine how good it is nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open… -Martha Graham

Biliana Velkova’s exhibition

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Another exhibition coming up is the recent work of Biliana Velkova, a recent member of the Art Institute, Printmaking at Capilano College. Here is her show statement:

“Paris Hilton wearing a stretch cotton pantsuit by Dolce and Gabana, Kirsten Dunst wearing a Cloe emerald silk dress, Natalia Vodianova in Dior holding a pink flamingo, these are some of the inspirations behind this collection of drawings. I am interested in appropriating these images into obvious knock offs, which in their own way become original works of art.

The ads themselves portray a fantasy setting or a certain mood, which I am interested in further exploring by omitting the brand itself. The models look out of place, oddly familiar but still misplaced. Similarly, the labels, which are so easily recognizable, feel empty when taken out of contest. Still, the logo is familiar enough and one can easily make their own associations with it. This warholian approach to branding carries my fascination with popular culture and its social applications. What do labels mean in western society, how do they shape our cultural references and where do these high class brands fit into art are some of the questions I try to raise with Knock Offs.”

That’s at the Capilano College Gallery, Studio Art Building 2055 Purcell Way, North Vancouver, Oct 18-30, 2004, Opening October 18 at 7pm.

UPDATE Jan.07.05 Biliana has a website now: Biliana Velkova

Wayne Eastcott exhibition

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Wayne Eastcott: Generation #3 1983 silkscreen

As I wrote earlier, October is a busy month for art shows here!
The Lookout Gallery, Regent College is presenting “Wayne Eastcott: Selected Works” – a survey of his printworks from 1965 to 2002.

Eastcott uses diverse mediums including riveted aluminum, silkscreening, etching and lithograph to invoke feelings of both calm and chaos as he exemplifies the dialogue between nature, humankind and technology. “I have always been intrigued by the various systems that make up the created universe as well as the relationship between chance, order, structure and randomness”, says Eastcott as he discusses his work. This exhibit covers 40 years of Eastcott’s work in printmaking and provides powerful, innovative examples of why he is recognized as one of Canada’s foremost printmakers.

This exhibition has been travelling for two years, beginning at Seymour Art Gallery, North Vancouver, and touring southern BC galleries, and has now returned to Vancouver. Selections from 50 pieces were made by the curators at each gallery to fit their space, such as at Grand Forks Art Gallery and Kootenay Gallery of Art.

The exhibition opening is on Wed. Oct.13, 2004 4:30-7:30 and runs to November 6th, 2004. The Lookout Gallery in Regent College is on the UBC campus at 5800 University Blvd., Vancouver, B.C. Hours: Monday – Friday: 8:30 am – 5:00 pm Saturday: 12:00 pm – 4:00 pm. Everyone welcome!

In case you missed it, please see my recent article about Wayne’s collaboration with a visiting artist, with some more links to visit.

Totally Manipulated

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X Faces by Robert Jackson

Another exhibition happening this month, and one in which I am also participating in is:

TOTALLY MANIPULATED: Digital Art Today
at CityScape Community Art Space,
335 Lonsdale Avenue in North Vancouver, BC.
Opening reception is on Thursday Oct.14, 7-9 pm.
Runs from October 15th to November 6th, 2004.
Gallery hours are 12-5, Wed-Sat., 1-4 Sunday.

This exhibition showcases sixteen accomplished and emerging artists pushing the boundaries of what we call art: Pierre Coupey, Wayne Eastcott, Carl Fletcher, Peter Frey, Grace Gordon-Collins, Robert Jackson, Bonnie Jordan, Mohsen Khalili, Maria Lobo, Irwin Oostindie, Sabrina Ovesen, Marja-Leena Rathje, Nicole Rigets, Michiko Suzuki, Joe Tompai and Biliana Velkova.

If you are in the Vancouver area, please come visit! This attractive gallery is run by the North Vancouver Community Arts Council. Also visit the North Vancouver Arts & Culture Commission pages and read ARTS ALIVE (.pdf) magazine.

Interestingly, eleven of the exhibiting artists are, or have been, associated in some way with the Art Institute at Capilano College**. Many thanks to Robert Jackson, a new member, for organizing this exhibition!

** Since this post was written, it has become Capilano University.

Michiko Suzuki’s exhibition

Michiko sent this link about her newly opened exhibition in Tokyo’s Gallery 219. Have a look at her series of archival inkjet prints. You may remember Michiko from my article about her collaboration with Wayne Eastcott.

Richard Avedon 1923-2004

Famous photographer Richard Avedon died today in Texas at the age of 81.
News at Reuters, CBC and ABCNews
Avedon’s homepage is blacked out today
Avedon Portraits at Metropolitan Museum of Art (2003)

Writing on the Wall

As part of an occasional series about the printmaking studio that I am happily associated with at Capilano College**, I will be posting about exhibitions that members are involved in.

Robert Jackson is a new artist member this fall. He brings with him an extensive background in digital art work on a variety of media. He is currently participating in a group show, “Writing on the Wall” – a mixed media art exhibition featuring work that incorporates text, symbols, images or a combination of these elements to convey a message.

This is at CityScape Community Art Space, 335 Lonsdale Avenue in North Vancouver, BC, until October 10th, 2004. Hours: Wed-Sat.12-5, Sunday 1-4.

UPDATE: Sept.30.04 Today I was at Opus Framing & Art Supplies on Lonsdale, picking up a frame I’d ordered, so afterwards I walked two blocks up the hill to CityScape to see this show. I was pleased to see Robert’s two digital/mixed media pieces and an acrylic on canvas by Margaret Witzsche, a friend and past Institute member. Other memorable works for me were those by Sharon Christian and Shakun Jhangiani.

** Since this was written, Capilano College has been designated Capilano University.