in winter sun

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In our neighbourhood near sea level, most of Friday night’s snow has melted. Lots of brilliant white snow lies low down on the mountains. It’s cold and a bit windy, hovering around freezing this afternoon as I go about storing some pots and garden supplies into the shed. I was drawn to the all too few spots touched by the low afternoon sun of winter, on the cotoneaster clinging to the cypress and the faded hydrangea flowers by the back fence. In the lawn now in shade I notice a mushroom. My gloved fingers soon feel frozen and I decide to return indoors to pot up the few cuttings I had nipped in my wanderings.

This evening it’s clear with a brilliant full moon lighting up the sea and snowy mountains. They say tonight will be even colder at -7c (19 F).

ship in the night

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As I seek something warm to drink and soothe me to sleep,
the lights of a ship anchored in the sea light my way to the kitchen,
I hope to dream of exotic voyages to romantic southern isles
but not the dark terrors of the night.

Added several hours later: I just remembered this much earlier post of a truly dream-like nightship.

rare Lascaux photos

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Rare, Unpublished: Lascaux Steer Photo: Ralph Morse/Time & Life Pictures/Getty Images Jan 01,1947

This is exciting, if you love ancient cave paintings as much as a I do.

LIFE.com has a gallery of previously unpublished rare photos, the first ever taken inside the Lascaux Caves of France. The caves were discovered by accident on September 12, 1940 by two schoolboys but it wasn’t until 1947 that…
LIFE’s Ralph Morse went to Lascaux, and became the first photographer to ever document the astonishing, vibrant paintings. Here, on the 70th anniversary of the discovery of the cave and its treasures, in a gallery featuring rare and never-published photographs, Morse — still vibrant himself at 93 — shares with LIFE.com his memories of what it was like to encounter the long-hidden, strikingly lifelike handiwork of a vanished people: the Cro-Magnon.

“In [Cro-Magnon man’s] most expert period,” LIFE noted in its issue of Feb. 24, 1947 (in which a handful of Morse’s photos appeared), “his apparatus included engraving and scraping tools, a stone or bone palette and probably brushes made of bundled split reeds. He ground colored earth for his rich reds and yellows, used charred bone or soot black for his dark shading and made green from manganese oxide. These colors were mixed with fatty oils. For permanence, the finest pigments of civilized Europe have never rivaled these crude materials.”

It’s a fascinating story with great photos that, to me, inspire awe and admiration for the skills and artistry of these early humans of 17,000 years ago.

Many thanks to ionarts for this link!

alone in the Sistine

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In the fall of 1993, my husband and I took a very special, very memorable trip to Italy. Seeing so much of the art, architecture and archeology that I’d studied in art school was literally mind-blowing for me. We spent the largest amount of time in Florence but did have two or three days in Rome before flying home. We spent a day in the Vatican Museums, taking far too long through the numerous gorgeous rooms of amazing collections so that we arrived in the Sistine Chapel just before closing time mid-afternoon (always so early in Italy). It was wall-to-wall with people, all of us craning our necks upwards. I think it was partly restored at the time, I really should dig out my travel diary and see if I wrote anything about that. It was magical yet disappointing that we could not see more and without the crowds.

Now we can see it at this link as if completely alone in the chapel. Turn on the sound and move your mouse around and enjoy! Thanks to Chris Tyrell!

withered petals

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Feeling withered and shattered like these tulip petals, after three days of printing editions… but happy with achievement.

textures of home #2, Photoshop

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If you are a photographer and PhotoShop user like I am,
you may enjoy this interesting article by David Pogue:
Photoshop and Photography: When Is It Real? in the New York Times

With thanks to Finnish author Anita Konkka
P.S. No, there’s no fancy photoshopping of the above images, just the usual resizing for the web. Thanks for asking!

buds of spring

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More wonderful signs of spring during the warmest winter in 114 years here in the Vancouver area…
Two of the the first-to-green-out native shrubs in the park, the red huckleberry and oemleria or Indian plum (I think)…
And one of many mini-daffodils coming into bloom in my garden…
These images are much larger than real life, for as you can see, I’m still enjoying macro photography…
You may all be getting bored with too many flower photos…

more spring blooms

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Bewitched by a bank of golden witch hazels

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Captivated by the scent of viburnum bodnantense

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Delighted by the humble English lawn daisy

transitions, again

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It’s been some time since I’ve shared what I’ve been doing in the printmaking studio. I wrote about transitions last September, now I feel as if I’m again in that state of mind. In the fall I created and finished a series of 26 small prints, then moved right into another related series of somewhat larger pieces which I’ve just recently completed editioning. I’m very pleased with these and have had great responses to them.

I just haven’t done all the photo documentation of these works. The prints in the first series are small enough to scan but I’ve yet to do it. The second series I photographed a few days ago and only today have downloaded them. I see they need lots of adjusting for they are underexposed and need some colour correction. I’m even wondering if I should re-shoot them with some better lighting somewhere else, but where? Or, should I use the original digital files they were printed from? Anyway, as you see, it’s been a very productive period for me but I’m procrastinating over getting them ready to post here as well as into my little online gallery.

However, and here’s where the ‘transition’ issue comes into play, I’m at a point where I’m still feeling my way around the next pieces that I want to work on and need to spend time with them for the next two weeks while the momentum is still with me and before an upcoming enforced ‘holiday’.

From Feb 12th to 28th our studio will be closed because our usual annual two day reading break on the campus has been extended to over two weeks because the parking lots will be used exclusively for the Winter Olympics. Strict security controls will be in place so no classes or classroom access anywhere – imagine that! So, I think that period of time may be when I complete the photo documentation and post my new works here. That’s my goal – wish me fortitude for I can too easily get distracted by other things like macro photography.

On the home front is another transition ahead with our daughter and granddaughters heading back to London at the end of this week after a wonderful six-week visit here. The house will be awfully quiet….

macros: January garden

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Thank you all for the comments and conversation on my last post about my efforts on learning macro photography.

Above are the photos I took that same day outdoors in our garden using the same lens as before. The afternoon sun was getting lower and weaker and starting to hide behind some tall trees. The top image is a little blurry because of a slight breeze but I still like it very much. I’m very pleased with the results and again, I wish you could see them much larger. I did, this time, do some slight adjustments of the levels on all of these images, in PhotoShop.

I’ve been wanting to share a well-known quote I recently reread that resonates for me in many ways:

Success is not the key to happiness. Happiness is the key to success. If you love what you are doing, you will be successful.
– Albert Schweitzer
from Artist Quote of the Day, with thanks to my friend Dorothy