artists’ quotes

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Words of my own fail me today, but these artists’ words sustain and inspire me:

“Nature is not only all that is visible to the eye.. it also includes the inner pictures of the soul.” – Edvard Munch

“I found I could say things with color and shapes that I couldn’t say any other way–things I had no words for.” – Georgia O’Keeffe

“Every child is an artist. The problem is how to remain an artist once he grows up.”

“Painting is just another way of keeping a diary.” – Pablo Picasso

“The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration.” – Frida Kahlo

“I like making work in my studio day in and day out, but I’m not so interested in the business side.” – Jenny Saville

“There were only five galleries in those days, and the artists really depended on each other socially, psychologically, and even critically. It’s impossible now. Business sure screwed up the art world universally.” – Robert Rauschenburg

(From artquotes.net)

An older post with quotations on art

artist blogger in Georgia

Welcome, Willkommen! to another artist blogger, Berlin born artist Hans Heiner Buhr, who lives in Tbilisi, Georgia. He has recently joined the blogosphere with New Images where he posts some of his work, talks about art, his family and life in Georgia. Hans also writes about his very interesting travels in Georgia and the Caucasus mountains, with some great photos at Kaukasus. I’m always excited to meet other artists in other countries.
A big thank you for the lovely image and unique “Greetings from Hans” – nice to meet you!

Edward Burtynsky revisited

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Edward Burtynsky: Nickel Tailings No. 32
Sudbury, Ontario 1996

About a year ago I wrote a bit about the achievements of Canadian photo-artist Edward Burtynsky (unfortunately the link to the news article has since expired). This year he has won a TED prize of US$100,000! But, wait, go read his website on where the money is going, and have a look at his beautiful yet disturbing works. He exhibits widely, presently in San Diego and later this year in New York.

I like what Tyler Green has written in an interesting review of his work at Modern Art Notes. I’m fascinated in how Burtynsky’s life experience with the deathly effects of oil has informed the subject matter of his photographic works, and how he is using his success to further the environmental cause. Do visit Tyler’s blog post and the many related links.

UPDATE:
More at News Grist and some multimedia at Cybermuse

Lalla Essaydi

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Lalla Essaydi Converging Territories # 30, 2004
47 x 57 1/2″ chromogenic print

I’ve just been looking at and getting excited by Moroccan-born artist Lalla Essaydi’s Converging Territories, a series of large-format colour portraits of women and children in Morocco, now showing in New York.

These are very compelling images because the photographer revisits the house she used to be confined in, and “creates a mysterious and timeless space with a cloth background, entirely covered with Islamic calligraphy that she herself has written in henna. She then painstakingly covers the women and children with henna before photographing them in front of the cloth.” She has also wrapped them in the same cloth, so walls, floor and figures are equally covered in her “stream-of-consciousness diary”.

These works blew me away and spun me back to the time when I was working on my Veils Suite series of prints, which frequently portray wrapped figures. Another interesting connection is that one of my works was based on an Irving Penn photograph of Guedra women in Morocco.

Thanks to another artist-blogger, Gregg Chadwick of Speed of Life for bringing Lalla Essaydi’s work to my attention. Do read his observations and quotes for more about her.

UPDATE 26th May: There’s a short but good review also at Modern Kicks, with a mention of yours truly, thank you!

Olga Campbell’s Whispers

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I am so glad I made it out yesterday to see Olga Campbell’s exhibition Whispers Across Time before it’s closure tonight.

It is very moving and powerful in theme, a kind of catharsis perhaps for the artist as she explores the loss of family. The work is also very intimate as one looks at images of small photos and details, partly obscured, a suggestion of looking through weathered and worn photo albums and diaries. Most of the sculptural work is small in scale, the many life size or smaller masks of the same face (hers?), the hands, the feet and the small scale figures. The interesting use of textures in all the work enhances the feeling of time and weathering. This is a large body of work in a variety of media within sculpture, paintings and prints (mostly lift and monoprints), evidence of a long journey of exploration and discovery through the act of creation.

The person looking after the gallery told me that the opening, which I was very sorry to miss, was very well attended and the work received with great appreciation. She also pointed out that the guest book was full of comments except for about two pages, something they had never seen in any of their shows in this gallery! Congratulations, Olga, on your success in touching many people with your work!

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Dinny Lansdowne

Has a painting exhibition May 6th – 15th
Opening: Friday, May 6th, 7 – 10 p.m.
At Marilyn Mylrea Art Studio and Gallery, 2341 Granville Street, Vancouver
Visit Dinny’s website for more details and images.

Dinny was one of the newcomers to printmaking at Capilano College this past year, coming from a fashion design and painting background. Best wishes on your show, Dinny!

Olga Campbell exhibition

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(Images copyright of the artist, used here with her permission)

WHISPERS ACROSS TIME, paintings, prints and sculpture by Olga Campbell
Opening reception on Thursday, April 21, 2005, from 7 to 9 p.m.
Gertrude and Zack Gallery, 950 West 41st Avenue, Vancouver
The exhibit runs until May 18, 2005.

Olga’s statement about her work:

“It started with a whisper – reminding me of things forgotten, things past – then it became deafening in its explosion of feelings.”

Olga Campbell’s mother lost her whole family in the Holocaust. She knew that everyone died in concentration camps, but could never find out when or where. She escaped the same fate only because she was arrested by the Russians at the Polish/Russian border in 1939 and taken to a russian prison camp, where she gave birth to a baby girl who only lived for a few days.

Two years ago, it became evident that the feelings caused by this tremendous loss, were transmitted from mother to daughter and had their origins in these events which took place over half a century ago.

Olga Campbell then embarked on a difficult and emotional journey into the past. Through the internet and Yad Vashem, she was able to get information about her family. She found articles and photographs, saw artwork and received letters from a person who had known members of the family. The bare facts, the bare bones which she had grown up with were fleshed out by this information and took on a new life. She felt surrounded by family, as if they had just been waiting to be heard. She then translated this journey into art, her medium of expression, also because most members of the family who perished were artists.

This exhibition deals with memories and losses. Many of the pieces in the show are fragmented, broken in appearance. Half there, half not. The presence of things, the absence of things. The presence of people, the absence of people. The materials used reflect this. Masks made of wax and straw show the ephemeral nature of life, broken, scarred- not whole, fragile, fragmented, but still there. Bronzes dealing with the difference between the inside and the outside. Rusted metal figures in groups against a backdrop of metal with negative spaces where the figures once were. An inherent connection between past, present and future. Life as a progression. The other works in the exhibit, ceramic sculptures, mixed media, photographs and text echo the same theme. But the artwork also portrays a sense of resurgance, a life spirit which emerges from the devestation of the past. This is a tribute to a family. Giving them back their identity and their dignity.

Olga Campbell has been doing art since 1993, when she graduated from Emily Carr School of Art and Design. She does sculpture, printmaking, mixed media and photography.

Olga Campbell is a member of the Art Institute, Sculpture at Capilano College**. I came to know her during her visits to the printmaking studio to do some digital prints to include in the body of work she has been preparing for her exhibition.

Added 18/05/2005: Please see my post about my visit to Olga’s exhibition

Update 2011: **now University, with updated link.

Hans Christian Andersen Bicentenary

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A few days ago I received a lovely letter from a good friend in Denmark. She mentioned that the whole country is celebrating the 200th anniversary of the birth of Hans Christian Andersen, as are many countries around the world. She wondered if we might have anything happening here. I hadn’t noticed anything, though admittedly I’ve been half asleep the last three weeks, until yesterday’s edition of the “Vancouver Sun” newspaper where on page C4 is an article by David Montgomery entitled “The ugly duckling’s happy ever after.” Unfortunately it’s available online to subscribers only.

Anyway this sent me searching and finding lots of interesting sites, including a dedicated Hans Christian Andersen 2005 website. Many of the first celebrations happened early April, which I would have loved to have seen, but it looks like much is going on throughout the year in many places around the world, including China, Japan and Singapore.

H.C. Andersen wrote novels, poetry, travelogues and plays but achieved his greatest success with his fairy tales. He was also an artist, doing drawings of his travels, and imaginative papercuts, collages and picturebooks.

I agree with David Montgomery that Andersen’s fairy tales have been told and retold and adapted and appropriated. Later generations feel such proprietorship that they take liberties with the work. I’ve always been annoyed by Disney Studios and many children’s book publishers taking and changing stories by Andersen (and many other authors), often without any acknowledgment of the original. All because the poor cobbler’s son somehow managed to unlock the shared human storehouse of image, action, moral and meaning, and weave them into captivating tales that spoke universally. His fairy tales were not just for kids. He grew into a literary swan. Many of his stories have become part of our daily language, like about politicians/leaders and the “emperor’s new clothes”.

Happy 200th Birthday, Hans Christian Andersen – you live on in your beloved stories!

More links:
Wikipedia
– Interesting notes on official illustrations as well as some papercuts done by Andersen himself, one of which was used in the stamp above.

Artists in Our Midst

“Artists in Our Midst” is Vancouver’s West Side Annual Art Studio Tour. Sorry I’m late posting this, having missed the first weekend opens in Kitsilano.
This coming weekend April 15 – 17th Dunbar/Kerrisdale area artists have a preview exhibition and open their studios. West Point Grey artists do the same April 22 – 24th.

Please check the schedules, maps and the lists of participating artists at the Artists in Our Midst website. This annual event was initiated by artists Anne Adams and Pnina Granirer in 1993 with over 60-70 artists taking part. Merchants in the area also feature artworks in their windows, so it is a very popular community event.

You may recall my posts about Pnina’s recent exhibition and my visit to her studio.

Stolen Art

You may recall my posts last month about Pnina Granirer’s exhibition and my visit to her studio.

Some time ago, I was horrified to learn that two of her works have been stolen. This is a terrible thing for an artist to experience, and shocking that such a popular place like the Roundhouse Community Centre has so little security. Below is the press release. If you live in the Vancouver area, do keep your eyes out for these works.

FOR IMMEDIATE RELEASE            March 28, 2005
Theft of paintings from local artist
Two paintings by local artist Pnina Granirer were stolen from the Roundhouse exhibition during the last days of the Vancouver International Dance Festival, March 25 or 26.

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Titles and cat. nos. on the back:
1. (top) In the Spotlight, cat.no.1602,   size 26×20 in., mixed media on canvas, signed
2. (lower) One plus One, cat.no.1608,   size 28×22 in., mixed media on canvas, signed
Both framed in new, black wood frames.

Anyone who has seen them or has any information leading to their recovery is kindly asked to call the artist, at 604-224-6795, or the police, file no.05-071632, on the name of Jay Hirabayashi.
This is an appeal to the people who took them, to return them to the Roundhouse or the artist- no questions asked.
Reward offered to the finder.

Please be so kind as to publish the images of the stolen works and the documentation describing them.
For more info please call
Pnina Granirer                         604-224-6795
Jay Hirabayashi at Kokoro Dance        604-662-7441